
[ LITTLE GAMELAN ART LEARNING MODEL TO GROW 
PANCASILA VALUES IN KINDERGARTEN STUDENTS] 
 
http://devotion.greenvest.co.id|Joko Pamungkas, Harun , Septika Cahya Rahmawati,  
Wildiani Lathifah, Erina Putri Anggraeni 
 
Twelve children's Pancasila values that grew as a result of the accompaniment of playing 
little  gamelan have reached  the  Very Good Developing category. The  achievement  of  the 
development of the value of Pancasila in praying for children is 68.8% in the BSB category, 
and 31.2% in the BSH category. The achievement of the development of Pancasila values 
knowing God's creation in children is 59.4% in the BSB category, and 40.6% in the BSH 
category. The achievement of the development of the value of Pancasila in children is 68.8% 
in the BSB category, and 31.2% in the BSH category. 
Pancasila respect includes indicators when children walk on their knees, it shows that 
children respect the existence of gamelan by not walking haphazardly, respecting differences 
in children as much as 68.8% are in the BSB category, and 31.2% are in the BSH category. 
Pancasila  Polite,  includes  indicators  when  playing  gamelan  children  sit  politely, 
namely by cross-legged for boys and timpuh for girls. This polite sitting position also applies 
to children who are waiting for their turn to play the little gamelan. The achievement of the 
development of polite Pancasila values in children is 96.9% in the BSB category, and 3.1% in 
the BSH category. 
The  value  of  Pancasila  respecting  when  a  child  plays  gamelan  is  when  the  child 
passes the gamelan instrument and does not jump over it, this indicates that the child respects 
the  existence of  gamelan  instruments,  75.0%  respects the  child  in  the  BSB  category, and 
25.0% in the BSH category. 
Pancasila is compact when playing the gamelan seen when it is time to play gamelan 
and when the children are resting and resting, meaning that no one is playing the gamelan, 
78.1% of children are in the BSB category, and 21.9% are in the BSH category. 
Pancasila Harmoni when the child beats the wrong verse then the child stops and tries 
to  equalize  with  other  friends.  There  is  also  an  attitude  of  mutual  cooperation  between 
children  in  learning  this  little  gamelan  when  assisting  the  teacher  in  issuing  gamelan 
instruments to be arranged outside the classroom. The achievement of the development of the 
value of Pancasila harmony in children is 87.5% in the BSB category, and 12.5% in the BSH 
category. 
Pancasila Deliberation, when the child wants to determine how many times he plays 
the gamelan, then deliberation when the child determines the time to rest. The achievement of 
the development of the value of Pancasila for deliberation in children is 90.6% in the BSB 
category, and 9.4% in the BSH category. 
Pancasila  leadership  invites  friends  to  play  little  gamelan,  leadership  is  also  seen 
when  the  bonang  musicians  open  the  song  which  is  then  followed  by  the  drums.  The 
achievement of the development of the value of Pancasila as a leader in children is 75.0% in 
the BSB category, and 25.0% in the BSH category. 
Pancasila is fair when there is a child who does not get an instrument, the child sits 
next  to  the  instrument.  .  The  achievement  of  the  development  of  fair  Pancasila  values  in 
children is 81.2% in the BSB category, and 18.8% in the BSH category. 
Pancasila in turn includes being fair when a friend wants to play, children provide 
opportunities  for  friends  by  taking  turns  playing  the  gamelan.  The  achievement  of  the 
development  of  Pancasila  values  in  turns  in  children  is  87.5%  in  the  BSB  category,  and 
12.5% in the BSH category. 
The child's Pancasila growth that appears during the little gamelan learning process is 
harmony when the child plays the wrong verse and then the child stops and tries to match up 
with  other  friends.  There  is  also  an  attitude  of  mutual  cooperation  between  children  in 
learning this little gamelan when assisting the teacher in issuing gamelan instruments to be 
arranged outside the classroom.